Time to Learn - Literary Devices
Figurative language means using figures of speech, or literary devices, such as metaphors, similes, and hyperbole, oh my! Dressing up your writing with these can add clarity and make a drab sentence more colorful, impactful, and effective.
That's a good thing, right?
Well, yes and no. Glam it up, but don't overdo it! It's like the old adage, 'everything within moderation.' For instance, you may want to curtail the gazillion hyperboles you're dying to fling onto the page. (See what I did there?) The same holds true for our writing buddies, onomatopoeia and alliteration. Bam, pow, they're freaking fun and fabulous. (I'm on a roll, somebody stop me) Okay, when writing a novel, think of those two like extras on a movie set or athletes hanging out on the bench. In other words, use them sparingly. For reals!
And, yes, believe it or not, you can clog up a worthy story with boatloads of metaphors, no matter how original or how you might think they glimmer and glisten. They will dull the shine of your story, as will repetitive metaphors, those you include ad nauseam. Watch out, throwing in the dreaded, dead metaphor can be as bad as cluttering your manuscript with clichés. Learn to spot these as you write and edit your WIP, because too much, is well, too much.
Using figurative language to cleverly craft suggestive comparisons, sounds peachy, however, working in scores of similes into scenes is a big no-no too. Most readers will find them tiresome, after a while, like the visitor who overstayed their welcome. Just like the hackneyed metaphor, they too will detract from your prose. The same goes for dropping in numerous oxymorons, love bombing your prose with repetitive personification, and filling up your story with juxtapositions left, right, and center.
Less is more!